THE ARMORY SHOW FINAL DAY - SEPT 27TH
THE ARMORY SHOW FINAL DAY - SEPT 27TH

O’Neil Scott is a Jamaican born, Pennsylvania based oil painter whose work explores the emotional, cultural, and social dimensions of the human experience. Drawing from childhood memories, family stories, and present-day experiences, Scott examines the contrasts between Jamaican and American culture and his evolving sense of belonging between them. Through the figure, he explores identity, resilience, and the experiences that shape how we understand ourselves and the communities around us. Each painting begins with a question about a memory, a feeling, or an experience, and considers how it continues to shape his life.Grounded in storytelling, Scott’s practice balances realism with expressive and disrupted surfaces to create a sense of psychological depth and presence. His paintings carry a quiet intensity, bringing personal and collective experiences together while inviting reflection, empathy, and connection across cultural and social boundaries. Scott has exhibited widely since 2016, with recent exhibitions at the Zillman Art Museum, University of Maine; the National Gallery of Jamaica; and the Morristown Museum, as well as presentations at SCOPE Miami and EXPO Chicago. His work has been featured in Fine Art Connoisseur, American Art Collector, and The Artist’s Magazine and is held in public and private collections in the United States and internationally, including the Henson Art Museum, Wingate University, Villanova University Permanent Collection, NAACP Permanent Collection, and Petrucci Family Foundation.

BREATHE, 2025
48" X 60"
OIL ON PANEL

SCOPE ART SHOW 2025

WE HAVE QUESTIONS, 2025
24" x 18"
OIL ON PANEL

Scott’s artistic origin story is rooted in his birthplace of Spanish Town, Jamaica. His first rendezvous with art came not in a museum, but in the familiar confines of his home, watching his uncles and his grandfather, a local architect, sketch and draw. “It runs within my family,” he explains. He discovered early on that drawing and sketching helped him listen, process information, and achieve better grades. “It’s this interesting thing… I have a better time of remembering or understanding what’s going on around me,” he says. This fusion of art, memory, and cognition became the bedrock of his future work. His path to a professional art career was anything but linear. He would move between Jamaica and the U.S. throughout his childhood, eventually settling in Camden, New Jersey, facing Philadelphia on the other side of the Delaware River. The talented athlete and artist took a football scholarship at Syracuse University, attracted by coaches who seemed as interested in seeing his art portfolio as discussing plays. Yet, the rigid schedules of Division I football and demanding studio classes proved incompatible. Faced with a choice, the young Scott, dreaming of the NFL, “dropped my art classes and took up business and IT instead.”

Jamaican-born, Philadelphia-based painter O’Neil Scott recently concluded an exhibition at EXPO Chicago featuring pieces centering the resilience of Jamaica and the rebuilding following Hurricane Melissa. EXPO Chicago, owned by Frieze, is a major international art fair, and this presentation marked an important moment for Scott. His work was also recently featured at the National Gallery of Jamaica.
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