FEB 1ST : MAKING SOMETHING OUT OF NOTHING | opening reception 2PM
FEB 1ST : MAKING SOMETHING OUT OF NOTHING | opening reception 2PM
BLACK HISTORY MONTH activation “MAKING SOMETHING OUT OF NOTHING” curated by Tatianna Mack
MAKING SOMETHING OUT OF NOTHING is inspired by Black communities across the diaspora and centers around the act of creating
value, beauty, and meaning in the face of limited resources or support.
The exhibition honors ingenuity, resilience, and imagination transforming what is often overlooked or minimal
into something powerful and enduring.
▪️KAIMA MARIE AKARUE
▪️TYREEK MORRISON
▪️NIA WINSLOW
▪️CANDACE CASTON
📌ACTIVATION DATES
FEB 1st - MAR 28th of 2026
🥂 OPENING RECEPTION
🗓️ Sunday Feb 1st of 2026
⏰ 2PM - 6PM
📍Tanya Weddemire Gallery
INDUSTRY CITY | BLDG 2
254 36th Street | Suite C257
Brooklyn NY 11232
With years of experience in the industry, we have developed a deep understanding of art and design, and we have honed our skills to perfection. We know what works and what doesn't, and we're always up to date with the latest trends and technologies.
We take a collaborative approach to our work, working closely with our clients to understand their needs and goals, and to create solutions that are tailored to their specific requirements. We're transparent, communicative, and responsive throughout the entire process.

Kaima Marie, the daughter of a Nigerian immigrant and a white mother, explores identity through collage, focusing on urbanism, capitalism, and erased narratives. Kaima constructs layered environments that challenge viewers to reflect on identity, memory, and the spaces we inhabit and often overlook. Her work preserves personal and collective histories, reimagining memory and place. She has exhibited nationally at institutions like the Museum of Fine Arts Houston and the Museum of Science and Industry in Chicago, earning accolades such as the 2024 Jones Artist Award and the Carol Crow Fellowship. Her work is part of private and institutional collections, including the MFAH, the Guess Lawson’s, and the Carter Knowles Collection. She received her MFA from the University of Houston in 2025 and recently finished her residency at Black Rock Senegal.

DONT LEAN AGAINST THE GLASS DOORS 002, 2025
53” X 39”
Mixed Media collage

DONT LEAN AGAINST THE GLASS DOORS 002, 2025
53” X 39”
Mixed Media collage
"Transit spaces play a central role in this body of work. Subways, Platforms, and corridors function as neutralizing zones where movement becomes both physical and psychological. These environments suggest a constant negotiation between the personal and the external world, where individuals occupy shared space without context or sustained connection. The work reflects on emotional visibility and invisibility, and on how identity is shaped, questioned, and reconfigured within systems that are often indifferent or impersonal".

Candace Caston is a collagist originating from New Orleans, Louisiana, currently residing in Atlanta, Georgia where she earned her BFA from the Savannah College of Art and Design. In her work, she uses primarily paper, and water-based media to explore the memory of place. Candace has most recently exhibited at Tennessee Gallery, The Atlanta Contemporary, The Goat Farm, UTA Artist Space,and the CICA Museum. Her work has been published in the 2024 Summer issue of Oxford American magazine and she was a 2024-25 Mint Leap Year artist in residence

SUCKER PUNCH, 2025
24" x 30"
Collage and Gouache on Panel

CLOUDBURST, 2025
24” x 18”
Collage and Gouache on Panel
"My work is an archive of remembered locations. I recall and record segments of the home, vehicle, and surrounding areas, drawing reference from my present-day environment, dreams, and memories of my childhood home. I construct these narrative scenes using collage materials and water-based media, working from both memory and observation. I use paper and paint to layer images and textures to assemble the contents of a room or outdoor setting. During my collage process, I am recalling the quality of the remembered experience, and including objects, lighting, temperature, and the subtleties that come together to explore the memory of a place".

Nia Imani Winslow, originally from Washington, DC, is a self-taught collage artist based in Brooklyn, New York. Nia draws inspiration from artists including Romare Bearden, Kerry James Marshall, Faith Ringgold, and Jacob Lawrence to illustrate the colorful essences of Black figures in each of her compositions. Using paper as her preferred material, Nia combines the complexities of different textures, cuttings and clippings to illuminate figures, moods and stories. Deeply inspired by vintage photography depicting Black life, Nia uses her work as an avenue to connect memorialized experiences to modern day life.

THE SHOPPING CART RACES 2, 2025
24” x 30”
Paper collage on birch wood panel - made with several pieces of aged paper from vintage magazines circa 1930 - 1960

BACK OF THE BENZ, 2025
24” x 30”
Paper collage on birch wood panel - made with pieces of paper from contemporary magazines
"I use my work to emulate real-life experiences as it pertains to Black life. Mundane or complex, each piece is created to capture the essence of life through the lens of someone who experiences it. As no reality is the same, each work is created using several different pieces of paper, texture, etc. to represent a distinct emotion, background, and way of life. Much like the individual pieces of material used to create a completed composition, my entire collection is designed to represent a conglomeration of pieces employed to depict separate, but sometimes similar Black existence".

Tyreek Morrison (b. 1993, New Brunswick, NJ) is an Atlanta-based collage artist whose practice transforms scraps of paper and found materials into layered narratives. For Morrison, collage is both medium and metaphor—the fragments mirror the scraps that society has historically left Black men and women to piece together, and through them he reconstructs stories of resilience, culture, and memory. His work moves fluidly between the past and the present. Earlier histories appear like interludes in an album, grounding his visual storytelling, while his contemporary narratives speak directly to the world we live in today. By weaving these timelines together, Morrison seeks to bridge generational gaps and highlight the continuity of struggle, joy, and creativity across time. Raised in Atlanta by a family immersed in art and culture, Morrison absorbed influences from fashion, music, and skateboarding, but it is through collage that his voice resonates most clearly. Each work carries texture and rhythm, inviting viewers to reflect not only on his personal journey but also on the shared cultural memory his art revives and reimagines.

, 2025
Mixed Media on Canvas

, 2025
Mixed Media on Canvas
"His work moves fluidly between the past and the present. Earlier histories appear like interludes in an album, grounding his visual storytelling, while his contemporary narratives speak directly to the world we live in today. By weaving these timelines together, Morrison seeks to bridge generational gaps and highlight the continuity of struggle, joy, and creativity across time.".
INDUSTRY CITY BLDG 2
254 36th Street | Suite C257 | Brooklyn New York 11232
Gallery Hours
MONDAY - TUESDAY | CLOSED
WEDNESDAY - SATURDAY | 11AM - 6PM
SUNDAY | 12PM- 5PM
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